The magic of film: Cloudy prospects

Welcome to the first post of this series! It's not hard to guess the topic of the posts; yes, it's all about my experience with shooting the old-fashioned film. Film cameras are pretty affordable these days, and it's easy to fall in love with those simplistic, but sturdy, well-made and nice looking image capturing machines. Most of them are all manual, without any "electronic trickery" of modern cameras. And simplicity is not necessarily a bad thing! Digital cameras made it too easy to capture meaningless and soulless snapshots. If you use manual cameras, you have to pay more attention to the fundamentals of picture taking. If you think more about pictures before actually taking them, then your pictures will improve. Photography is about the vision; more precisely, about the personal vision of the photographer. Developing your own vision is the key to create images with soul and meaning. Mastering the picture taking process is the first step on this path; you must be able to capture the moment as you imagined it.

So it started with a lens I bought for my digital cameras. I was waiting for the right adapter, but I felt that it would be fun to test the lens on a conventional camera as well. Then I bought some slide film. After that everything went easily. I spent a long weekend at home in late spring, and a light stormsdelivered the clouds that make the sunset magnificent. That's what I was waiting for! Now let's see the first stage of my journey in film photography.


Solitude
Solitude


Metadata

Camera: Yashica FX-3 Super 2000
Lens: Carl Zeiss Vario-Sonnar 35-70mm (50mm)
Film: AGFA CT 100  Precisa
Scanner: Canon CanoScan FS4000US


Breakout
Breakout


Metadata

Camera: Yashica FX-3 Super 2000
Lens: Carl Zeiss Vario-Sonnar 35-70mm (35mm)
Film: AGFA CT 100  Precisa
Scanner: Canon CanoScan FS4000US

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